Once Upon a Century
Dreary
May 17, 2018
Every now and again we at Paying Attention take leave of our
senses…I mean take leave of the perpetually nauseating, cruelly relentless and
painfully frightening events of the moment to look back in anger and/or look forward
in terror. Today’s offering is a modest foray
into literary ramblings, looking to a wordsmith of yore to help survive the
current Kafkaesque onslaught, hopefully avoiding any actionable
plagiarism.
Who better to capture the mood of America in the Year of Our
Lord Clearly Giving Up and Leaving, than the author of the appalling, the
penman of the perverse, the executor of the eerie, the master of the macabre –
Edgar Allan Poe. Today, America is
enveloped in an Orange Gas Cloud. The
pall of Chrump permeates the land, the air, the sea and Twitter. The pain and stench are unavoidable. We could
use a man like Poe to translate today’s unmitigated angst into digestible
prose.
Edgar Allan Poe
Poe had his finger on the pained pulse of personal
psychology, and though he lived so long ago, his literary works might well have
been penned in our time. Since they were not, the literary plagiarists here at
Paying Attention have once again appropriated classic writings for a new era, with
only slight modification. Poe seemed to capture our current mood with eerie
exactitude, though he wrote almost 200 years ago. Actually, his dark and
bruising tales seem almost quaint compared to the reality we inhabit. We are
living through one of the scariest stories ever conceived. Poe could not have
known that his country would one day be under the tasteless boot of a
manic brute who would make Poe’s darkest tales seem like something out of
Dr. Seuss.
We give you now, whether you want it or not, excerpts of Edgar
Allan Poe in the time of Chrump…
The Fall of The Louse of Chrumper
It was a dark and soundless day near the end of the year,
and clouds of doom were hanging low in the heavens. All day I had been hoping
that the second least popular candidate ever might prevail over the very least;
and in the early evening I was forced to admit we would all be captives of the Louse
of Chrumper.
Best house ever.
I do not know how it was — but, with my first sight of the newly
elected, even before that excruciating November night, a sense of heavy sadness
filled my spirit. I was not alone. Across the land, many anxiously held their
breath. Blinked away heavy tears. Coughed up their meals. I looked at the scene
before me — at the Louse himself — at the deplorables around him — at the outlandishly
wrought and colored mass atop his vacuous head — at his empty yet somehow
mocking eyes — and at a few dead trees, dead from the sight of him. I looked at
this scene, I say, with a complete sadness of soul which was no healthy,
earthly feeling. There was a coldness, a sickening of the heart, in which I
could discover nothing to lighten the weight I felt. What was it, I asked myself,
what was it that was so fearful, so frightening in my view of the Louse of Chrumper?
This was a question to which I could find no answer.
The Craven
Once upon a country dreary, while I watched him, weak and
weary,
Over many a quaint and curious volume of idiotic tweets—
While I nodded, nearly napping, suddenly there came a
tapping,
As of some one oddly crapping, tweeting near the courtroom
door.
“’Tis some idiot,” I muttered, “tweeting by the courtroom door—
Only
Chrump and nothing more.”
Ah, distinctly I remember it was in the bleak November;
And each separate dying ember wrought its ghost upon the
floor.
Eagerly I wished the morrow;—some impeachment then to borrow
An end to all our Chrumpish sorrow—sorrow he does on us
dump—
For the sick and freakish tyrant whom the Devil named The
Chrump—
Nameless
here for evermore.
From my books surcease of sorrow—sorrow for the lost before
me—
For the rare and radiant maiden whom the angels name Stormy—
Then was there that constant rapping—
Rapping on the courtroom door—
Nameless here for evermore.
Quoth the craven…
“Only this
and nothing more.” Tweeteth Chrump,
“Not my fault.”
“Only this
and nothing more.” Tweeteth Chrump,
“Build the wall.”
Ah, distinctly I
remember it was in the bleak December;
And each separate dying ember wrought its ghost upon us all.
Eagerly I wished
the morrow;—vainly I had sought to borrow
From my books
surcease of sorrow—sorrow for the porn star she—
For the rare and radiant maiden whom the angels name Stormy—
Nameless here for evermore.
In deference to you, the loyal, sensitive and no doubt weary
reader, we will leave you for now, to process, ponder and pass along what you
have just witnessed. And for good or
ill, allow you at least a brief respite in anticipation of part two of our
prosaic Poe parodies, which you will be able to enjoy or ignore in the coming
days.
Ed Venture
Managing Editor, Paying Attention